Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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llya Yefimovich Repin
Menter by Repin

ID: 73260

llya Yefimovich Repin Menter by Repin
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llya Yefimovich Repin Menter by Repin


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llya Yefimovich Repin

1844-1930  Related Paintings of llya Yefimovich Repin :. | Portrait of architect Aleksey Ivanovich Shevtsov | Woman Leaning on the Back of a Chair (study for Paris Cafe) (nn02) | Sadko (mk19) | Tolstoy Resting in the Wood | Portrait of painter Nikolai Nikolayevich Ghe |
Related Artists:
Nittis, Giuseppe de
Italian, 1846-84 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism, he achieved great success in his lifetime,
IL Pensionante del saraceni
active 1610-1620s in Rome
Pierre-Henri de Valenciennes
(December 6, 1750 - February 16, 1819) was a French painter. Valenciennes worked in Rome from 1778 to 1782, where he made a number of landscape studies directly from nature, sometimes painting the same set of trees or house at different times of day.He theorized on this idea in Advice to a Student on Painting, Particularly on Landscape (1800), developing a concept of a "landscape portrait" in which the artist paints a landscape directly while looking upon it, taking care to capture its particular details.Although he spoke of this as a type of painting mainly of interest to "amateurs", as distinguished from the higher art of the academies, he found it of great interest, and of his own works the surviving landscape portraits have been the most noted by later commentators. He in particular urged artists to capture the distinctive details of a scene's architecture, dress, agriculture, and so on, in order to give the landscape a sense of belonging to a specific place; in this he probably influenced other French artists active in Italy who took an anthropological approach to painting rural areas and customs, such as Hubert Robert, Pierre-Athanase Chauvin and Achille-Etna Michallon.






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